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The Z3 feat. Ed Mann

Beau Sasser- hammond organs/ synthesizers/ vocals
Tim Palmieri- guitar/ vocals
Bill Carbone- drums/ vocals

Some music is sacred. Like Frank’s. But that doesn’t mean that it’s an ant in amber, frozen forever in its last performance. The Z3’s “Funky Takes on Frank” began as Tim, Beau and Bill’s way of playing the music they’ve obsessed over for years to the audiences that come to see them right now. With nothing but guitar, Hammond organ/keys, drums and three voices, The Z3 tackled everything from Freak Out to Broadway the Hard Way with a playful and adventurous spirit that has thus far tickled the fancies of both diehard FZ fans as well as those that “never knew they liked him.”

And then they met Ed Mann.

Ed played mallet instruments, percussion, sang and did a mean Bob Dylan impersonation in the Frank Zappa band from 1977-88, in addition to his many solo albums and other collaborations. He first jammed with the Z3 on a single gig in January 2013, then again about 8 months later. After he accompanied the band on a blizzard-laden four-show run in December 2013 both parties agreed that the collaboration was much deeper than a “special guest” situation. So Ed Mann joined the band. Now he keeps the Z3 young and hip with his table full of mallet instruments, iPads, Kaos pads and various other electro-acoustic devices.

Organist Beau Sasser and drummer Bill Carbone discovered a shared passion for Frank Zappa while touring together in the band of guitarist Melvin Sparks. They daydreamed of a trio in the organ-funk style that performed nothing but Zappa, but who would complete the triumvirate and serve as the missing-link to bridge the two genres was a mystery. When guitarist/vocalist Tim Palmieri, a diehard Zappa fan, ended up on a string of regular Wednesday night funk gigs with The Beau Sasser Trio in November 2011, the Z3 was born. The three musicians knew each other from years working in the Northeast music scene, their chemistry was undeniable, and the transition from pickup band to the Z3 was as smooth as passage of quintuplets in 9/8.

The Z3 was created for fun, and that’s probably why audiences find it so enjoyable.  The initial run of Z3 shows in Northampton, MA were jammed with fans of the individual musicians and of FZ, and, as the band worked toward engaging both the FZ material and the audience, the temperature has risen. The Z3 has since rocked the Blue Note Jazz Club in NYC, peppered the summer festival circuit with their Funky Takes on Frank, and delivered a legendary 3+ hour set at the Zappanale 24 festival in Bad Doberon, Germany.  Give thanks for Frank!

The Z3 is:

Tim Palmieri (www.timpalmieri.com)

Tim Palmieri is one of the most impressive guitarists on the national music scene today. Playing with his bands Kung Fu and The Breakfast alongside artists such as moe., Umphrey’s McGee, Tea Leaf Green, and Phish’s Mike Gordon, the New Haven native has amassed a loyal following of obsessive fans who keep tabs on just about every note.

While prominent in the jam scene for his aggressive and improvisational guitar style, Palmieri has grown equally comfortable behind an acoustic guitar and tours tirelessly as a solo performer. His acoustic showcases are peppered with a mix of thoughtful originals, classic covers and unexpected rarities, each of which he makes his own through a distinctive style of rhythmic looping.

At the same time, Palmieri refuses to get too comfortable as a performer and thrives on challenging himself in new ways. He has covered the entire Beatles catalogue in alphabetical order and knows a shocking number of FZ tunes among so many others. His current main project, Kung Fu, has been hailed as a modern super group.

Beau Sasser (www.beausasser.com)

Beau Sasser hit the music scene at a young age, traversing the snowy highways of Colorado for both All-State high school band gigs and shows with legends like John Denver and Jimmy Ibbotson of The Nitty Gritty Dirt Band. In the mid-90s Sasser headed east for a stint at Berklee College of Music and soon found himself back on the highways with the successful jamband Uncle Sammy.

Around the year 2000 Sasser began performing almost exclusively on the Hammond Organ. In addition to his tenure as Melvin Sparks' preferred organist Sasser leads his own trio whose residency at Bishop's Lounge in Northampton, MA is now in its fifth year, performed for several years in the trio of Soulive’s Alan Evans, and freelances like crazy.

Touring throughout the United States and internationally, Beau has performed with with Maceo Parker (James Brown), Warren Haynes(Allman Brothers), Alan Evans (Soulive), Nikki Glaspie (Beyonce), Michael Feingold (Erykah Badu), Mike Keneally (Frank Zappa) and jazz greats Fareed Haque and Melvin Sparks.

Bill Carbone (http://www.billcarbone.com)

Born in the suburban cultural vacuum of CT, drummer Bill Carbone managed to graduate from his initial fascination with the dramatic plinkings of Rush and Yes to a broader palette of loves. Recently he’s played jazz and boogaloo with guitarist Melvin Sparks, funk with organist Beau Sasser's trio, jam-rock with Max Creek and Zach Deputy, original quirky jazz-type music with the sax 4tet plus bass and drums Dead Cat Bounce, and reggae and experimental dub music with his own group Buru Style and various vocalists such as Makengo (Sierra Leone Refugee All Stars), Ajahni, Toussaint Liberator, Shasha Marley and others. As a percussionist he's tickled the Billboard charts with ROIR recording artists 10 ft Ganja Plant, graced several John Brown’s Body tracks and also recorded with the founding members of Jamaica's legendary Soul Syndicate Band.

Carbone is currently a PhD candidate in ethnomusicology at Wesleyan University in Middletown, CT, where he also teaches drums and steel pan while pecking away at a dissertation about gender and the Hammond Organ soul-jazz scene of the 1960s-70s. His writing has been featured in Wax Poetics, Modern Drummer, and in his bi-weekly New Haven Advocate column. He also teaches courses in ethnomusicology and world music at Central Connecticut State University.

Ed Mann 
Award-winning mallet player/percussionist Ed Mann began his international professional career in 1977 when he joined Frank Zappa's band as percussionist, synthesist and background vocalist. Said to be the single-most recorded musician in the Zappa catalog, Ed performed and recorded with Zappa in electric and symphonic settings which are documented on over 35 albums from the 1977 release "Live in New York" through Zappa's last electric band project in 1988. During his tenure with FZ, Ed took on additional responsibilities of rehearsal director, keyboardist and electric sound designer, the latter function yielding technologically ground breaking digital music performance systems and the uniquely expressive sound set of sampled human vocalizations which characterize the social setting of Zappa's final electric band tour in 1988, as heard on the albums "Broadway The Hard Way", "Best Band You Never Heard In Your Life" and "Make A Jazz Noise Here".

Having released 5 critically acclaimed albums of original music, Ed has also performed and recorded with luminaries such as Don Ellis, Mark Isham, Shadowfax, Tavares, Hans Zimmer, Richie Lee Jones, Kenny Loggins, Don Preston, Bruce Fowler, Repercussion Unit, Andy Summers, Michael McDonald, Sting, Los Lobos, John Cage, Bill Eddins, the London Symphony Orchestra, Edmonton Symphony among many others and has taught and facilitated educational programs throughout the USA and Canada.

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Frank Out!

„Frank Out!“ is one of the two successor bands of "Sheik Yerbouti" from Hessen/Rheinland Pfalz. "No one gets closer to Zappa than Sheik Yerbouti ", was the verdict of the Rhein-Zeitung from Mainz at the time.

Last year the Grandsheiks (the remains of the original Sheik Yerbouti enforced by wonderful musicians) were on stage at the Zappanale. This year the other half of the Sheiks (Thomas Jung, Harry Sebel and „Sweet“ Georg Rademacher) will be there. Under the name “Frank Out!”. They will be supported by the Sheik Yerbouti founding member Kai Rotfuchs, the former Sheik Marco Steffen and bassist Jürgen Kochler from the Hunsrück.

They are looking forward to “performing a firework of Zappa classics, stomping Rock songs and wild Jazz improvisations” and with the voice of Harry Sebel they will make the Zappa fans dream.

But Frank Out! will already be in the starting blocks earlier. They have developed the musical program of the concert on Wednesday in Hamburg together with Robert Martin, and will be on stage there together with Albert Wing for the first time. So Albert Wing will join the list of alumni guest musicians of SheikYerbouti/FrankOut!, which already includes Robert Martin, Denny Walley, Ed Mann, Mike Keneally and Napoleon Murphy Brock.

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Napoleon Murphy Brock & The Peach Noise

You missed him? So did we! Without him the Zappanales somehow would be…

Well, here you go: He´s back!

On August 8th, 1973, Frank Zappa was alerted by his road manager, Marty Perellis, that an incredible band with an extraordinary lead singer was performing downtown to a standing room only audience … and that it might be wise that he come and see this for himself. When Zappa went to the club and watched the show, he saw a young talent sing, dance, play sax, flute and keyboards, in a manner that clearly made it appear that he was having more fun than even the other patrons in the club.

After two hours of observing and listening to this young man and his very disciplined band of musicians, he introduced himself as Frank Zappa, and the young man introduced himself as Napoleon Murphy Brock. The next words out of Zappa’s mouth were, “You are my new lead vocalist.”

This singer and saxophone player still is connected tightly to the music of Frank Zappa, in particular due to the incredibly diverse compositions that Zappa has written to accommodate the large volume of vocal talent and stage presence that NMB possesses. He is the only member of the last formation of the Mothers of Invention, where he collaborated with Zappa on four compositions: “DUMMY UP”, “THE BOOGER MAN”, “THE ROOM SERVICE RAP” und “IT'S ALL RIGHT” – the last funky Blues song on ROXY AND ELSEWHERE.  Together with the French band The Peach Noise Experiment, NMB will perform the more difficult pieces that Zappa wrote since the 70's and of course other favorites from the complete works of Zappa.

In the first decade of the new century he participated at shows of Dweezil’s first Zappa Plays Zappa Tour, where Steve Vai (Guitar) und Terry Bozzio (Drums) also joined. In 2009, both Napoleon and Steve Vai each won a Grammy for their performance of the title “Peaches en Regalia”, which first appeared in 1969 on Zappa's album “Hot Rats”.

In recent years, Napoleon Murphy Brock toured with the Grandmothers of Invention as well as with many highly acclaimed Zappa tribute bands. He was even chosen to act as lead singer, frontman and choreographer for the George Duke Funk/Jazz Ensemble - which included the world-famous Latin percussionist Sheila E - with whom he also toured and recorded eight successful albums.

Currently Napoleon is performing solo, nevertheless he is touring and performing to let the brilliance of Frank Zappa’s music from the 70s live on, where he was directly involved. He calls it: Total Music Theatre.

It can also be regarded as an honor that some of the recent publications of the ZFT, are focussing on his participation: FZ/OZ, JOE'S CAMOUFLAGE - a tour rehearsal CD with participation of Napoleon on keyboards and alto sax - and the video releases, now in digital form, of A TOKEN OF MY EXTREME, and finally ROXY BY PROXY.

He is accompanied by the high-energy Zappa tribute band from France, The Peach Noise Experiment Napoleon has chosen because they understand his own way to interpret the music. “It's everything to do with theater, it's all about the fans, it's all about THE SHOW”.

According to Napoleon, what you will see and hear now in the Zappanale #26, is the closest to the magical energy of the 70's Mothers of Invention, with the former line-up: Frank Zappa, George Duke, Ruth Underwood, Chester Thompson, Ralph Humphrey, Tom Fowler, Bruce Fowler, and Napoleon Murphy Brock. THAT'S RIGHT, HE'S BACK!!!

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MAGMA

Did this have to happen? While having wonderful weather during Zappanale #23 it started to rain just when Magma entered the stage. But what does a real freak do when he/she is listening to good music? Nothing! He/she remains and enjoys the concert of a terrific „band“.

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Zappanale #28

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The Torture stops in -318 days!
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